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V. L. Jordan, "Einige Bemerkungen über Anhall un Anfangsnachhall in Musikräumen" Appl. Acoustics 1, pp. 29-36 (1968).
A. H. Marshall, D. Gottlob and H. Alrutz, "Acoustical conditions preferred for ensemble" J. Acoust. Soc. Am. 64, pp. 1437-1442 (1978).
M. Barron, "The Gulbenkian Great Hall, Lisbon II: An Acoustic Study of a Concert Hall with Variable Stage" J. Sound Vib. 59, 1978, pp. 481-502.
L. Keidel "Akustische Scheindecke im Orkesterraum zur Verbesserung der Hörsamkeit für die Musiker", Schalltechnik 13 H.5 pp. 10-11 (1953).
A. C. Gade "Musicians' Ideas about Room Acoustic Qualities", Report No. 31, The Acoustics Laboratory, Technical University of Denmark (1981).
A. C. Gade "Subjective Room Acoustic Experiments with Musicians", Report No. 32, The Acoustics Laboratory, Technical University of Denmark (1982).
A. C. Gade "Investigations of Musicians' Room Acoustic Conditions in Concert Halls. Part I: Methods and Laboratory Experiments", Acustica 69, pp. 193-203 (1989).
ISO 3382 - Acoustics - Measurements of Reverberation Time of rooms with reference to other acoustical parameters. International Organization of Standardization (1997).
A. C. Gade "Investigations of Musicians' Room Acoustic Conditions in Concert Halls. Part II: Field Experiments and Synthesis of results", Acustica 69, pp. 249-262 (1989).
A. C. Gade "Acoustical Survey of Eleven European Concert Halls - a basis for discussion of halls in Denmark", Report No. 44, The Acoustics Laboratory, Technical University of Denmark (1989).
N. V. Jordan, A. C. Gade, "Subjective and Objective Evaluation of Suggested Changes for Improving Stage Acoustics in Göteborg Konserthus, Sweden" Proceedings of the 15th ICA, Trondhiem, Norway, Vol II, pp. 505-508 (1995).
A. C. Gade "Practical Aspects of Room Acoustic Measurements on Orchestra Platforms" Proceedings of the 14th ICA, Beijing, China, Paper F3-5 (1992).
J.J Dammerud, "Stage Acoustics of Orchestras in Concert Halls" PhD Thesis, University of Bath (2009).
J. P. M. O'Keefe; list of technical papers
W. Chiang, "Acoustical design of stages with large plane surfaces in rectangular recital halls" Appl. Acoustics 64 No. 9, pp. 863-884 (2003).
J. Meyer, E. C. Biassoni de Serra, "Zum Verdekkungseffect bei Instrumetalmusikern" Acustica 46 pp. 130-140 (1980).
J. Meyer, "Understanding the orchestral stage environment from the musician's, singer's and conductor's point of view" Proceedings of the Wallace Clement Sabine Centennial Symposium, Cambridge, Massachusetts, USA, pp. 93-96, Acoustical Society of America (1994).
G. M. Naylor, R. J. M. Craik, "Effects of Level Difference and Musical Texture on Ease of Ensemble" Acustica 65 pp. 95-100 (1988).
S. Ternström, "Preferred self-to-other ratios in choir singing" J. Acoust. Soc. Am, 105 pp. 3563-3574 (1999).
G. M. Naylor, "Modulation Transfer and Ensemble Music Performance" Acustica 65 pp. 127-137 (1988).
K. Ueno, H. Tachibana, "Experimental Study on the Evaluation of Stage Acoustics by Musicians using a 6-channel sound simulation system" Acoust. Sci. & Tech. 24, 3, pp. 130-138 (2003).
K. Ueno, H. Tachibana, T. Kanamori "Experimental Study on Stage Acoustics for Ensemble Performance in Orchestra" Proceedings of 18th ICA, Kyoto, Japan (2004).
W. Chiang, S-T Chen, C-T Huang "Subjective Assessment of Stage acoustics for Solo and Chamber Music Performances" Acustica 89 No. 5, pp. 848-856 (2003).
J. Andersson, "Investigations of stage acoustics for a symphony orchestra" MSc thesis, Chalmers University of Technology, Division of Applied Acoustics, Göteborg, Sweden (2008).
M. Cederlöf, "Podium acoustics for the symphony orchestra", MSc thesis, Royal Institute of Technology, department of Speech, Music and Hearing, Stockholm, Sweden (2006).
J. Sanders, "Suitability of New Zealand halls for chamber music"
R. C. J. van Luxemburg, C. C. J. M. Hak, P. H. Heijnen, M. Kivits, "Stage acoustics: experiments on 7 stages of concert halls in the Netherlands" Proceedings of Internoise Ottawa, Canada (2009).
R. C. J. van Luxemburg, R. H. C. Wenmaekers, C. C. J. M. Hak, M. Kivits, "Stage acoustics, further development of parameter LQ7-40" Proceedings of Internoise, Lisbon, Portugal (2010).
M. Giovannini, "Measurement and Analysis Methodologies for Acoustical Characterization of Spaces for Classical Music Performers: Objective evaluations and Subjective Investigations" PhD Thesis, Politecnico di Torino, Italy (2008).
M. Giovannini, A. C. Gade, "Acoustical evaluation of different acoustic conditions in The Queen's Hall - The Royal Library, Copenhagen" Proceedings 19th ICA, Madrid, Spain, Paper RBA-06-028 (2007).
C. C. J. M. Hak, R. H. C. Wenmaekers, J. P. M. Hak, A. C. Gade, "Sound Strength Calibration Methods" Proceedings of 20th ICA, Sydney Australia (2010).
J. Brunskog, A. C. Gade, G. P. Bellester, L. R. Calbo, " Increase in voice level and speaker comfort in lecture rooms" J. Acoust. Soc. Am. 125 No.4 pp. 2072-2082 (2009).
J. O'Keefe, "On the Sensitivity of Stage Acoustics Measurements" Proceedings of the Wallace Clement Sabine Centennial Symposium, Cambridge, Massachusetts, USA, pp. 223-226, Acoustical Society of America (1994).
D. Santos Dominguez "A Study of Musicians' Room Acoustic Conditions" Master thesis, Acoustics Section, Technical University of Denmark, DTU (2008).
P. M. Nielsen, A. C. Gade, S. P. Lund, "Determination of sound exposure of classical musicians in Denmark" Proceedings of Internoise, Lisbon, Portugal, paper 769 (2010).
A. C. Gade, "The influence of basic design variables on the acoustics of concert halls; New results derived from analyzing a large number of existing halls", Proceeding of the IOA, 19, Part 3 (1997).